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artscope magazine: January/February 2012
Welcome Statement: Brian Goslow, managing editor
cornered: A CONVERSATION WITH JOY WALLENS-PENFORD OF GALLERY WALK, VERMONT
The Expressive Voice: Selections from the Permanent Collection
Brice Marden: Prints, 1973-2010
Toys and Games
Robin Mandel:Everywhere and Nowhere
Immersion: Artefacting into Dharavi – The Engine That Runs Mumbai
Close to Home: Artists Who Make Books
Michael Cooper: A Sculptural Odyssey, 1968-2011
Bill Armstrong: Photography
Nostalgia Machines
Tom Morin: Threads of Influence
Charles Thompson: en plein air paintings
South of the Border Etchings
Eric Bornstein, Behind the Mask
Richard Michelson
The Madsonian Museum of Industrial Design
Michael McKay
Eddie DiCroce:Solo Photo Exhibition
Hymn to the Earth: Photographs by Ron Rosenstock
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testimonials.


“Thank you so much, again, for the publicity on our Fine Arts Faculty Exhibit which took place on October 21 through November 19. We had quite a few people visiting the Gallery, and I am sure it was a result of the ad in your magazine. It was a great exhibit -- our Fine Arts Teachers are very talented and it shows when these youngsters hang their artwork in two different exhibits during the year.”
Mary Gaudette, Development Operations
Hargate Gal
lery, St. Paul's School


“Wow! What a beautiful cover you created from Jane Hasser’s photograph for your Nov/Dec 2008 issue. The accompanying review was a wonderful, poetic reflection by James Foritano on the exhibition “Entangled”. I admire and am inspired by the spunk and smarts embodied by publisher Kaveh Mojtabai, editor Brian Goslow and the “entire” (read, small, steady, and tireless!) staff of artscope. I am honored that my curatorial efforts at The Trustman Art Gallery at Simmons College have been so respectfully considered for coverage. artscope’s commitment to non-profit and university galleries is an important reflection of the wealth of art, artists and ideas in New England.”
Barbara O’Brien, Director
Trustman Art Gal
lery, Simmons College


“We continue to hear praise from our visitors who look forward to your publication to be informed about shows and events in the eastern Massachusetts region; they love the convenience of picking it up at whatever location they happen to visit. All the best for another year of exciting, enlightening publications.”
Nan Rogers, Gallery Administrator
Belmont Gallery



“I am honored to be represented in artscope, the most prestigious publication of the Arts of New England. I hope you will join us in our enthusiasm.”
Ed Oates, RISD Professor
Ed Oates Fine Arts Museum, Sagamore, MA



"What can we say? From our first phone conversation to our placing ads with your publication, we have enjoyed working with you and your staff. We are delighted to be part of a new publication offering a fresh and insightful approach to the arts. The review of our exhibit, ‘American Artists in Rural Ireland: The Ballinglen Experience’ by Roanna Forman enticed new viewers into our gallery, while advertising in your publication continually puts our association in front of new audiences across New England. Kudos to you and your staff on such a terrific publication!"
Deborah Plunkett, Public Relations, Concord Art Association


"I want to thank you for a fabulous artscope this month. We received our copies and they’re moving so fast. I so much appreciate the column Brian Goslow wrote about Icons + Altars at the New Art Center. The writing really personalized the content of the exhibit and many people have commented on seeing the coverage and have shared with me that they thought the article wonderfully communicated the spirit of the exhibit. Others have called because they read your article and wanted to know more! So many many thanks."
Ceci Mendez, Exhibitions Director
New Art Center in Newton



"I've witnessed firsthand how artscope has increased the visibility of the artists exhibited at the Art Institute of Boston Gallery at Porter Exchange through the reviews of two exhibits: “The Figure Explored: Contemporary Ceramic Sculpture (Sept/Oct 06)”, and “Andy Anderson: Photographs from Africa, Iceland, and Spain” (Mar/Apr 07). In both instances the gallery saw a higher number of visitors, the Anderson exhibition being our most heavily visited exhibit to date. It certainly goes without saying that increased exposure creates and supports the important dialogue between artists and their audiences. artscope has quickly proven to become a pivotal staple in this regard."


Andrew Mroczek, Director of Exhibitions
The University
Gallery at Porter Exchange, Lesley University


 

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