Wünderarts Gallery
383 Main Street
Amherst, Massachusetts
September 13 through October 19
A FEW SHORT YEARS EARS AGO GO, WHILE ATTENDING AN OPENING AT THE A.P.E. GALLERY IN NORTHAMPTON, I WAS HAUNTED BY MY FIRST ENCOUNTER WITH SALLY CURCIO’S WORK. CONFRONTED WITH A CHANDELIER OF STERILE HOSPITAL BLOOD BAGS IN A CALDERESQUE MOBILE, MY FIRST IMPULSE WAS TO RUN.
Personally, I faint at the sight of blood. Upon waking, my vision fogs, everything turns blue and I remain dizzy, distressed and disoriented. I gingerly approached Curcio’s installation, housed in a very tight claustrophobic space and was glad to make it out alive.
When I discovered my assignment for this issue of artscope was to
meet and interview Sally Curcio in her studio and preview her upcoming
exhibition at the Wunderarts Gallery, I was again overcome with Chekovian dread and the desire to run.
But, much to my surprise, Curcio and her works are delightful, lighthearted, smartly imaginative, spirited and playful.
Armed with an arsenal of straight pins and a limitless supply of beads, Curcio has created a series of mini-mosaics neatly presented under glass. With Buddhist concentration and a deft ability to manipulate the minuscule, Curcio has crafted precious jewel-like compositions. These tableau reliefs are not mounted on the wall but sit embedded