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artscope magazine: November/December 2008
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
Tara Donovan
Juan Angel Chavez: Speaker Project
JULIA FEATHERINGILL: INDELIBLE
ANNE HARRIS: SELECTED WORKS
Adel Abdessemed: Situation and Practice
ENTANGLED: JANE HESSER, DOROTHEA VAN CAMP AND MARC VAN CAUWENBERGH
RYAN WALKER: THE RECYCLER
THOREAU RECONSIDERED
"LATER THAT NIGHT..." NOCTURNAL IMAGES BY CHRISTIAN WAEBER
LOSSLESS: A VIDEO INSTALLATION BY REBECCA BARON AND DOUGLAS GOODWIN
THE WINNER'S CIRCLE: ANNA ISAAK-ROSS, YANICK LAPUH, GREGORY WRIGHT
Luis Villanueva and Colo Colo Gallery
RISD'S NEW CHACE CENTER BRIDGES THE DIVIDE
Industry Focus: THE EXPOSURE PROJECT
KAREN DOLMANISTH
PAUL CLANCY
BALAM SOTO
THREE TO WATCH IN 2009: MASSART/FINE ARTS WORK CENTER OF PROVINCETOWN GRADS NANCY WINSHIP MILLIKEN, LOUIS THEODORE OLLIER AND KATIE JURKIEWICZ
CENTERFOLD CONTEST OUTTAKES
ANDY WARHOL:POP POLITICS
CHIHULY AT RISD
BESSIE POTTER VONNOH: SCULPTOR OF WOMEN
BUSHWACHKED: KELLY JO SHOWS SAYS GOOD-BYE TO BUSH IN SEVERAL MEDIUMS
Jules Olitski: An Inside View
THE ALLURE OF ITALY: PHOTOGRAPHY, FASION DESIGN SINCE 1945
ELIZABETH KING: THE SIZES OF THINGS IN THE MIND'S EYE
WORKS BY DOZIER BELL, LAUREN FENSTERSTOCK AND ALICE SPENSER
TWISTED
lONGWOOD SYMPHONY ORCHESTRA
The Music Hall
Capsule Previews: November/ December 2008
JULIA FEATHERINGILL: INDELIBLE
Hope M. Stockman



Carroll & Sons Gallery
450 Harrison Avenue
Boston


Through December 20

DELIGHTFULLY LIGHT-HEARTED YET SURPRISINGLY FORMAL, JULIA FEATHERINGILL'S MAGNIFIED FOUND-DOODLE MARKER DRAWINGS ARE BOUND TO LEAVE SMILES ON VIEWER'S FACES AT THE CARROLL & SONS GALLERY THIS FALL. "INDELIBLE" FEATURES NINE WORKS TRHAT BURST WITH COLOR, ENERGY AND HUMOR. THE SHOW WILL BE ON DISPLAY THROUGH DECEMBER 20 IN THE SOUTH END'S COBBLE-STONED JEWEL OF A GALLERY, WHICH WILL ALSO BE SHOWING WORKS BY OTHER ARTISTS WHO - SIMILARLY TO FEATHERINGALL - PUT AN INTERESTING TWIST ON EVERYDAY THINGS.



While Juan Angel Chavez’s found object constructions may use the images of speakers to pull you in – and, in fact, the parts of this exhibition that resemble speakers do cause you to ponder what makes the real ones work - the affect they had on me was of transportation to a small, quiet, country-town setting where you go out for a walk and come upon a longneglected structure holding clues to its vibrant past. You might have another kind of engagement with the work, as Chavez invites you to tap on all of its pieces and explore the sounds they’re capable of making..




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