Fuller Craft Museum



The Art Institute of Boston


Haring and Fish by Le-Xi at C.X. Silver Gallery
C.X. Silver Gallery

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artscope magazine: May/June 2009
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
ARTSWorcester's BIENNIAL 2009
GRIDWORK: Further explorations into the urban landscape featuring new work by Robert Maloney and Sean Thomas
BEN ARONSON - LIGHT AND GEOMETRY: The Urban Signature
RADKA DONNELL: THE WORK OF TOUCH
DOROTHY SIMPSON KRAUSE: LOSING GROUND
NATURAL WORLD: A BRICKBOTTOM ARTISTS' ASSOCIATION MEMBERS' EXHIBITION
JOE FIG: IN THE PAINTER'S STUDIO
POINT OF VIEW: OUTDOOR SCULPTURE
GALLERY-BY-THE-FALLS
THE SIXTH SENSE: CONTEMPORARY JEWELRY FROM KOREA
Featured Artist: Dominique Boutaud
FéLIX DE LA CONCHA: PRIVATE PORTRAITS/PUBLIC CONVERSATIONS
2009 PORTLAND MUSEUM OF ART BIENNIAL
SCULPTURES IN LOVE WITH ARCHITECTURE
JESSICA GONACHA at YES Gallery and Studio
THE BRIGHT & SHINING LIGHT OF IRREVERENCE: RICHARD SAJA AND THE HISTORICALLY INACCURATE SCHOOL
WHERE HISTORY AND CONTEMPORARY MEET
BRATTLEBORO-WEST ARTS PREMIER GROUP EXHIBITION
SCOTT PRIOR (ongoing) and LARRY PRESTON / GREG GILLESPIE and LEONEL GóNGORA
ANDIAMO! Art on the Hill Destination: Federal Hill, Providence’s Little Italy
THIRD ANNUAL CONFERENCE OF ENCAUSTIC PAINTING
AXIOM CENTER FOR NEW AND EXPERIMENTAL MEDIA
CAPSULE PREVIEWS
POINT OF VIEW: OUTDOOR SCULPTURE
George Gerard

L'Attitude Gallery/Sculpture Garden

218 Newbury Street
Boston


Through May 31

This eclectic show is presented on the outdoor deck of L’Attitude, and includes a Broad Mix of sculptures from artists Ian Mogavero, Rob Lorenson, Barbara Ottmar, Russ Vogt, Shirley Erickson, Kim Radochia, Jamie Burnes, Patrick Pierce, Steve Zaluski and Sherman Hay.



When first walking onto the deck, a myriad of color, texture and shape make themselves readily available. Work from each artist is juxtaposed against one another, but it is nonetheless easy to focus on one piece at a time. Two friendly steel children crafted by Ian Mogavero immediately greet you (the sculpture is titled “Devotion Redux”). Their hair is windblown and they are holding hands, their rusted color immediately bringing to mind the possibilities of such a sculpture peeking out from between trees in a backyard, or casually posed along a pond.



A rusted COR-TEN steel and cedar wood bear by Jamie Burns, titled “Tashtego,” sits in the right-hand corner of the deck, its posture protective and calming. Each piece of “Point of View: Outdoor Sculpture” interacts. Every artist brings something new in his or her perspective, whether the work is abstract or figurative, serving a function or genuinely festive in nature.



In the corner opposite and across the deck from “Tashtego” sits a piece by Rob Lorenson titled “Dynamic Rotation.” Lorenson’s work repeatedly focuses on the circle. Through the interaction between supports for the circles and the circles themselves, the sleek, abstract forms are able to evoke the concept of cycles and renewal in nature. “Abstract sculpture is at its strongest when it utilizes




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