PhotoPlace Gallery
Three Park Street
Middlebury, Vermont
AN EDGY NEW GALLERY, SEET IN THE OLDEST BUILDING IN MIDDLEBURY, VERMONT, IS THE FIRST IN THE STATE TO OFFER AN ONGOING SERIES OF JURIED FINE ART PHOTOGRAPHY EXHIBITIONS.
“We’re not your typical Vermont gallery,” Kirsten Hoving, co-owner of
PhotoPlace Gallery said. “There are no scenic photographs of pastoral
Vermont on our walls. We want to introduce new photographic voices
and expand the horizons of our visitors. What they get is something
unconventional and unusual.”
Launched in June 2009 in a building erected in 1790, PhotoPlace Gallery
is a labor of love for Hoving, a Middlebury College professor of art history and architecture, and an author, who has called Vermont home for the past 27 years. It’s also a culmination of Hoving’s re-exploration of her own passion: taking pictures. Though she has taught the history of
photography at Middlebury College as long as she has lived in Vermont,
it was a workshop in Sante Fe two years ago that got her snapping her
own shots again.
Every month, PhotoPlace offers viewers 40 different takes on a given theme
(January’s is “Floral,” while February’s is “Animal Magnetism”). Though firmly rooted in Middlebury, the gallery introduces visitors to photographs by artists in such far-flung locales as Norway, Bulgaria, Bangladesh and the United Arab Emirates. Guest jurors past, present and future include Aline Smithson, a photographer and former fashion editor; Larissa Leclaire, an anthropologist; and Jon Willis, a professor of photography at Marlboro College.
Serendipity plays a crucial role in how Hoving lands on a theme for each call for entries. More often than not, she will wake up in the middle of the night with a brilliant idea. Always, her aim is to keep themes broad, to appeal to a wide spectrum of artists, while maintaining a specificity that will imbue cohesion upon the works when they are placed alongside each other. Past shows include “Dreams & Fantasies” and “Alternative Processes.” Whereas the former inspired the submission of Neo-Surrealist works, the latter drew