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artscope magazine: January/February 2010
Welcome Statement: Brian Goslow, managing editor
Letters to the Editor
roundtable - Three Professionals. One Question.
cornered: a conversation with an art exhibition attendee
FEATURED ARTIST GEORGE NICK - Reflections of an impermanent world
Not Your Typical Photo Place - PHOTOPLACE GALLERY
TARO SHINODA: LUNAR REFLECTIONS
ODDLY PRETTY PAINTINGS - HANNAH COLE
TANGIBLE EXPERIENCE: BRIAN KEITH STEPHENS
Belonging and Longing - Maria Magdalena Campos-Pons: Works on Paper
FIXED CHAOS at Montserrat
SILENT CIRCLES: THE HEALING - Barbara Gagel
FEATURE - Evolution: Five Decades of Printmaking by David Driskell
FEATURE - Historic Japanese Kiri-E and Contemporary Tibetan Thangka
GOLDEN LEGACY: Original Art From 65 Years Of Golden Books
DECEIVINGLY SIMPLE - Charles Duback: Collages
EMMA AMOS: HEROES AND FOLK
GHOSTS OF THE PAST, PRESENT, AND FUTURE: ZUGUNRUHE
wanderlust - The (Right) Brainpower Triangle: The Finest Free Art in Somerville and Cambridge
community - THE KATE: A Little Gem With A Movie Star Name
industry focus - BUY WHAT YOU LOVE
education - SPACE TO DISCOVER: MASSART/FAWC LOW RESIDENCY MFA
Capsule Previews
Not Your Typical Photo Place - PHOTOPLACE GALLERY
Alexandra Tursi

PhotoPlace Gallery
Three Park Street
Middlebury, Vermont

AN EDGY NEW GALLERY, SEET IN THE OLDEST BUILDING IN MIDDLEBURY, VERMONT, IS THE FIRST IN THE STATE TO OFFER AN ONGOING SERIES OF JURIED FINE ART PHOTOGRAPHY EXHIBITIONS.



“We’re not your typical Vermont gallery,” Kirsten Hoving, co-owner of PhotoPlace Gallery said. “There are no scenic photographs of pastoral Vermont on our walls. We want to introduce new photographic voices and expand the horizons of our visitors. What they get is something unconventional and unusual.”

Launched in June 2009 in a building erected in 1790, PhotoPlace Gallery is a labor of love for Hoving, a Middlebury College professor of art history and architecture, and an author, who has called Vermont home for the past 27 years. It’s also a culmination of Hoving’s re-exploration of her own passion: taking pictures. Though she has taught the history of photography at Middlebury College as long as she has lived in Vermont, it was a workshop in Sante Fe two years ago that got her snapping her own shots again.



Every month, PhotoPlace offers viewers 40 different takes on a given theme (January’s is “Floral,” while February’s is “Animal Magnetism”). Though firmly rooted in Middlebury, the gallery introduces visitors to photographs by artists in such far-flung locales as Norway, Bulgaria, Bangladesh and the United Arab Emirates. Guest jurors past, present and future include Aline Smithson, a photographer and former fashion editor; Larissa Leclaire, an anthropologist; and Jon Willis, a professor of photography at Marlboro College.



Serendipity plays a crucial role in how Hoving lands on a theme for each call for entries. More often than not, she will wake up in the middle of the night with a brilliant idea. Always, her aim is to keep themes broad, to appeal to a wide spectrum of artists, while maintaining a specificity that will imbue cohesion upon the works when they are placed alongside each other. Past shows include “Dreams & Fantasies” and “Alternative Processes.” Whereas the former inspired the submission of Neo-Surrealist works, the latter drew




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